Sean Hayes is best known to audiences from the sitcom Will and Grace, but now he’s taking on a much darker role onstage at ...

Tom Sutcliffe speaks to Sean Hayes, best known for his role as Jack in Will and Grace. Now he's playing pianist Oscar Levant in Broadway hit Good Night Oscar, which has just opened at the Barbican in ...

Rosalie Craig will be joining Will & Grace's Sean Hayes in the Tony Award-winning play now showing at The Barbican.

Oscar Levant (Sean Hayes, right) is haunted by the memory of George Gershwin (John Zdrojeski) in Doug Wright's play "Good Night, Oscar," running through April 24 at Chicago's Goodman Theatre.

It’s that last aspect of Levant’s legacy that is the focus of playwright Doug Wright’s excellent “Good Night, Oscar,” featuring a Tony-winning performance by Sean Hayes as Levant and an equally ...

Oscar Levant (Sean Hayes, right) is haunted by the memory of George Gershwin (John Zdrojeski) in Doug Wright’s play “Good Night, Oscar,” running through April 24 at Chicago’s Goodman Theatre.

Oscar Levant (Sean Hayes, right) is haunted by the memory of George Gershwin (John Zdrojeski) in Doug Wright's play "Good Night, Oscar," running through April 24 at Chicago's Goodman Theatre.

Sean Hayes, playwright Doug Wright turn a spotlight on the genius of Oscar Levant The “Will & Grace” actor, now starring in “Good Night, Oscar” at the Goodman Theatre, says he was drawn to ...

Today’s audiences are unlikely to know the name Oscar Levant, the once-famed pianist, composer, comedian and actor at the center of Doug Wright’s new Broadway play “Good Night, Oscar ...

It surprised the industry this week when playwright David Adjmi went public about his own tale of developing an Oscar Levant play with Sean Hayes – and not the one that will be seen on Broadway ...

It wasn’t so long ago that Oscar Levant was a household name to American audiences. The pianist and movie star was known for his sharp wit and unpredictability. In the drama “Good Night, Oscar ...

Oscar Levant in the 1940s. That sentiment applies to the boxed set, as well, for it takes Levant outside the confines of Gershwin’s repertoire and larger-than-life persona.