This was not the first time Lynch pulled off this move, but that time it wasn't necessary. David Lynch wasn't interested in "doing television." It was far less common in the late 1980s, to jump from ...

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David Lynch has a knack for creating surrealist art. Many of his other projects, like “Mulholland Drive” and “Blue Velvet,” ...

Though surreal and sometimes impenetrable, Lynch's films lead us down dark roads to curious, new possibilities.

The night after my favorite director died, I was upstairs watching YouTube clips of “Twin Peaks: The Return ... the zigzag floors and velvet curtains, the steam and smoke and dirt and ...

The late director’s most successful work kept viewers in the dark.

“Twin Peaks”, the mysterious TV series that made ... curious not about the brightly lit windows but the low-lit, curtained ones. Curtains hid secrets. Behind them, a man and a woman might ...

David Lynch, the visionary filmmaker behind Twin Peaks and Blue Velvet ... this masterpiece of a room features floor-to-ceiling red velvet curtains contrasted against a chevron-patterened black and ...

Director David Lynch attends the Twin Peaks screening during the 70th annual Cannes Film Festival. (Image has been converted to black and white.) (Photo by Amy T. Zielinski/Getty Images ...

While one of the most unique and groundbreaking storytellers in film history is sadly no longer with us, his stories continue to live on, as evidenced by the continued love for Twin Peaks more ...

In many ways, that Twin Peaks moment is the definitive David Lynch ... we live in and pulling back the (sometimes quite literal) curtain to reveal what’s lurking behind it.

When Lynch is frightening, when he pulls back the curtain, he crafts the most terrifying ... and Rita (Laura Harring), the White Lodge/Black Lodge of Twin Peaks’ Nez Pearce tribe made manifest ...