New York Classical Review9h
SongStudio young artists bring light to darkness
The first half of the program, “Light in Darkness,” featured newly commissioned works by writer a.k. payne, paired with art ...
New York Classical Review3d
No words but plenty of drama in Stutzmann’s “Ring” with the Philharmonic
If you like looking at pictures of Alfred Roller’s sets for Götterdāmmerung or portraits of Jean de Reszke as Siegfried or Birgit Nilsson as Brünnhilde, you would likely have enjoyed the New York ...
New York Classical Review4d
Nézet-Séguin, Philadelphia Orchestra twine music of grief and loss by Heggie, Mahler
In the Ninth Symphony, Mahler examines death from an internal, personal view. Through the music, Mahler sees the end and ...
New York Classical Review7d
Levit’s explorative Brahms provides the highlight at Carnegie
There’s a hoary cliché from rock journalism, where a guitarist is giving an interview and talks about how they dislike certain other players because they have great technique but no “feel.” While a ...
New York Classical Review7d
Sequentia spins a medieval German saga for Music Before 1800
Sequentia performed “Gregorious—The Holy Sinner” Sunday at Corpus Christi Church. Early music concerts are a form of time travel. With “Gregorius—The Holy Sinner,” Music Before 1800 transported the ...
New York Classical Review8d
A starry cast breathes fresh, convivial life into Met’s “Bohème”
Eleonora Buratto is Mimi in the Metropolitan Opera’s January performances of Puccini’s La Bohème. File photo: Curtis Brown/ Met Opera There is something comforting about revisiting Giacomo Puccini’s ...