In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

Artist, Otobong Nkanga: One of the things I'm really interested in is our relationship to this environment—thinking of labor, extractivism, connection to the land, thinking of ways of renovating, ways ...

Discover how a uniquely modern American art form found a home at a uniquely modern American museum. Through original recordings, archival audio, and new interviews with jazz legends like Sonny Rollins ...

Afrique sur Seine (1955) was a film ahead of its time. Formally, it was a bridge between Italian Neorealism of the 1940s—a style of filmmaking that evoked the hardships of war, from impoverishment and ...

I grew up a hundred miles from the nearest art museum, in the infinite flatness of rural Kansas. A fifth-grade field trip brought the first opportunity to visit an art museum, where I found myself ...

Composed of a partially stretched canvas divided into 25 squares and filled with small sandbags on the inside, Untitled (1971) is one of Venezuelan artist Eugenio Espinoza’s many unique variations on ...

Stunde null, or the “zero hour,” was the term used to mark the end of the Second World War that came with German surrender on May 8, 1945. Within a few years this rhetoric of reset, signifying a ...

January 27 is also the eve of the birthday of the poet, philosopher, and political theorist José Martí, in whose name the Cuban nation has been built and destroyed so many times. To commemorate the ...

Reweaving Ourselves: Contemporary Ecology through the Ideas of Juan Downey is the second online conference organized by the Cisneros Institute at MoMA and conceived by guest curator Julieta González ...

What is Echo? Echo is the title of a work that you can see in the new lobby of MoMA. When I do an exhibition, I always start with the space; in this case, the space didn’t exist because the Museum was ...

Just as historical time moves without linear progression, the narrative time of Salacia ebbs and flows so that the words with which Jones begins seem to touch her last utterances. Salacia opens with a ...

We meet them in their homes: Carol appears lost in hers, a Tudor mansion decorated with Marcel Breuer chairs and the kind of severely modern furniture that lends it the appearance of an upscale ...